[man] I remember an old Indian story
my mom used to tell me before I went to sleep...
about a shadow...
that blanketed the land in darkness.
I know it had a happy ending of some sort but...
all I can remember is the way it made me feel.
Seemed like it could just swallow you up, the way she told it,
like it was right around the corner.
[soft music]
[man] Never knew what it was she was talking about.
At least I didn't used to.
I always wondered if guys like Cassidy, Crockett and Crazy Horse
came rising up from the holes we dug for 'em,
if they'd even recognize this place...
land they called home.
But the West...
it isn't dead yet.
It's just on fire and no one seems to care.
[soft music continues]
[horse neighing]
[thunder rumbling]
-[country music playing] -[women moaning]
♪ But I stare at her And I'm looking for a sign ♪
♪ But she won't even look me In the eye ♪
♪ My friends told me Put on your boots and run ♪
♪ 'Cause it's meaningless To think that you're the one ♪
[woman moaning]
[men and women moaning]
[music and moaning continue in the distance]
[man moaning]
Relax.
[thunder rumbling]
[indistinct voices in the distance]
-[man] Open it! -[man 2] Shut up!
Never been with a cowboy before.
-[man] ...told no by a whore! -[loud thump]
[man and woman chattering]
-[man] I paid good money for you. -[woman screams]
-Someone as gentle as you... -[cowboy] I'm sorry.
[man screaming]
I can't.
-[man screaming] -[woman crying]
[man] ...all day to be told no by a goddamn fucking whore!
You got no right tell me no.
Look at me. [indistinct]
We getting it on here.
-We getting it on. -Hey.
We're occupied. Get the fuck out!
-Leave her be. -[man 3] Shut the hell up, Delmar!
What was that?
How about I carve some manners in that pretty face of yours?
[Delmar moans]
[country music continues]
[door opens and slams closed]
-[heavy rain falling] -[thunder rumbling]
Hey.
Hey, you alright?
-You need a ride somewhere? -[exhales]
Just trying to help.
Can you buy me a new car?
Fly me some place nice?
Didn't think so.
[thunder rumbling]
You know, you can stay at our ranch.
You need a place to stay for the night.
[thunder rumbling]
Got a room?
Plenty of room.
[switchblade clicks]
[Delmar] Paris.
[switchblade clatters]
Where's Laura?
Was too busy getting hit on my head with a fucking telephone
to notice which direction she went.
I should be asking you for a recompense, truth be told.
Just look what she done.
Alright then.
Much obliged.
[heavy rain and thunder continue]
Look...
I didn't touch her any more than normal.
Of course.
Ah! Fuck! Shit! Damn!
Fuck. Hold on, Paris. Uh, God... no, no, no!
[Delmar cursing in pain]
[thunder rumbling]
I hope this is okay.
[thunder rumbling]
You should get some rest.
[thud]
[soft music]
Too bright in here for you?
You got back late.
Called my brother.
He agreed to hold the ranch in trust,
help us out while we get back on our feet.
[moans]
[TV chatter in the distance]
You know we're gonna have to sell that mare.
[screen door creaking open]
[screen door slamming shut]
[man] Laura!
[panting]
[soft music]
-[bull bellowing] -[man] Come on, Kip!
Yeehaw! There you go.
[Kip] Take it easy, take it easy.
[men shouting in the distance]
-So, Kip, what's her name? -[man] Come on.
Huh?
The reason you slept that hangover off on the couch.
Come on, Kip, spill the beans.
[Kip] Oh, shit.
[man] You start a job, you better finish it.
You gonna help? Or just sit there on your high horse?
Not supposed to bring 'em home.
[man] Come on, boy.
[suspenseful music]
Where is Laura?
-She here? -[rifle cocking]
Go inside, Fay.
[woman] Thought you didn't believe in this sort of thing.
Get off my porch.
-Laura around? -That's not her name.
[woman laughs]
You know, it makes me sad.
What you do, keepin' 'em all cooped up like that.
They come here freely.
You think you're helpin' 'em, but you're not.
There is more world than the one you forced them into.
They'll be back, one way or another.
If you do see Laura,
tell her we're lookin' for her.
[woman] Sorry.
Say you can tell a lot about a man by his bookshelf.
I was just lookin'.
-Where are you from? -Berthold.
What part?
Above the Missouri.
Mandaree?
[door opens]
Used to fish in the river just south of there.
I just got done checkin' the rest--
From Mandaree.
Hm.
[Kip singing "All The Pretty Horses"]
♪ Don't you cry ♪
♪ Go to sleep My little baby ♪
♪ When you wake You shall have ♪
♪ All the pretty little hor... ♪
You sing to all your horses?
Morning.
She, uh... she was my mother's.
Car accident about a year ago.
Left her pretty scarred.
The vet wanted to put her down, but...
I wouldn't give up on her. Isn't that right?
I'll go saddle up another horse, show you around a little bit.
[soft music]
-Hadley. -Been a while, Beckett.
Sorry I couldn't make it to the funeral.
You remember Kip?
My God.
Kipper.
Uncle Beckett.
[Beckett] Looks just like grandpa.
[laughs]
Almost forgot.
Best gin in all Dakota.
Must have known I'm in oil
'cause they did charge me accordingly.
That's generous.
Come on in.
[country music playing]
Never understood your taste for gin.
This stuff'd make a Injun quit drinkin'.
That survey was twenty years ago.
It's about as detailed as I got.
This is all of the land I own.
This'll be fine.
Great.
[soft music]
[Kip] Hey, where did you learn to ride like that?
[woman] We're a horse nation.
Surprised you kept up.
Thanks for letting me stay.
I'll leave the clothes.
Listen, I was thinkin' I might go see a movie later.
Thought maybe you might wanna join.
I mean, you don't have to leave.
Waniya.
My name is Waniya.
[soft music continues]
[sings in a native language]
[crickets chirping]
It's easy to get lost in, huh?
Not how I see it.
It can help you find your way if you know what you're lookin' at.
[Kip chuckles] Maybe I should have stayed in school.
[Waniya] You gave it up?
Around here, it's either ranchin' or oil.
You end up in a field one way or another.
Not too many you can see anymore.
The ranch suits you.
[actor 1] No matter how old you get,
there's that part of growing up you'll never forget.
[actor 2] I'm glad you said that, Owen.
I'll remember that when I'm gone.
-[actor 1] Now. -[gunshot in the movie]
-[woman] Got room for one more? -Get on.
[shooting in the movie]
Cold?
Didn't know you meant the drive-in.
Here.
[Waniya] Where did you get that?
It was my mother's.
[Waniya says a native word] My grandfather used to call it.
She did, too.
[Waniya] He used to laugh at these old westerns.
Tell me how the Indians were never saying
-what you think. -[Kip laughs]
His name was Dakota.
Look happy.
I noticed your tattoo earlier... of the wolf.
No, I like it.
Why did you pick it?
I didn't.
[the movie continues]
[thunder rumbling]
[Kip] Hope you weren't too bored.
Sucker for those old westerns.
Just take me north of Watson.
There's a house there I could stay at.
You know you--
it'd be alright if you stayed with us another night.
[slow music]
Why were you there last night?
Just a mistake. That's all.
Right.
I guess...
I just wanted to feel...
I don't know...
[truck shakes and thumps]
What the hell?
-Shit. -[flat tire thumping]
Just a sec.
[thunder rumbling]
[suspenseful music]
[deflating tire hissing]
[suspenseful music continues]
[man] Car trouble?
Not my night, I guess.
[Paris] I can't argue with that.
Sorry?
You have something of mine.
-[Waniya] Kip! -[punch landing]
[Waniya] Kip!
-Come here! -[Waniya screams]
[Waniya screams]
Wait, Paris. Paris!
-I was coming back. I swear. -Shut up!
[Waniya crying] I swear.
Paris, no!
Paris!
No!
[upbeat music]
-[man humming] -[indistinct chatter over radio]
[man sings and hums]
[man continues singing]
[man] Huh.
[radio continues playing]
Kip Summer, that you?
Ooh.
Tire pop runnin' over your face?
No, sheriff.
[sheriff] Well, I know who lost the fight.
Where's the other guy?
I don't know.
Never seen him before.
Smoke?
Dad smokes.
Yeah, well, I ain't him.
-[coughs and spits] -All got our vices.
Pretty girl.
[dramatic music]
Well...
not going anywhere with a wheel as flat as Fargo.
[dog barking]
[whimpering]
[door opens]
Poor Laura.
Poor little Laura.
You got a taste of the outside world, didn't you?
A world blind to this shit.
That world... it wasn't made for us.
It's good to have you back.
[door shutting]
[sheriff singing]
That'll do it.
You sure it was a Volvo?
Yeah.
Put the word out. Let you know what I find.
Follow you to the turn-off.
[woman] What are we gonna do with her?
[Paris] Just what we were doing before.
She ain't gonna work anymore, not like that.
Hey, why don't we just sell her?
You know where we can take her.
More than you'll make in a month.
I need you to get the word out for tomorrow.
Jamie.
What I do with her
has got nothing to do with you.
[tense music]
[door opens]
[tense music continues]
You don't ever leave me again.
[knocking on door]
I know you.
-[baby crying] -Hey, get back in there.
[man mumbles]
Can I be of some assistance?
I'm looking for this girl.
She was here the other night.
Caused quite a stir.
-She inside? -No.
No, she's one of his.
One of whose?
Blue-eyed wolf.
If I wanted to find him?
He does most his hunting up in "The Cloud".
But you can't go after a wolf.
Not when you're a sheep.
[tense music continues]
[imitates a sheep bleating]
[laughs]
[sheriff] So what is it?
Gout.
Hmm.
Disease of kings.
Hm?
What they call it.
The disease of kings.
Ah, lucky me.
[chuckling]
How you drive?
Left foot, no clutch.
There you go.
How are your cattle?
Oh, they're dead.
Most of 'em.
You mind?
Hmm.
[pouring]
[door opens]
-Peaty. -[door closes]
Anything?
The photo from a red-light camera north of Harvey.
That him?
Dominic Chapel.
Goes by Paris.
Came here when the boom hit.
Traffics girls up and down the oil camps.
-What about Waniya? -What about her?
Best you leave this to me.
Used to be a saying. "Forty below keeps out the riffraff."
It just ain't true no more.
Money's missing from my desk.
You brought her back to this house.
It wasn't like that.
Who's telling you about these places?
Is it Bear?
-I asked you a question. -It wasn't Bear.
What would your mother say?
You don't have a damn clue.
[horse neighing]
The mare is going to my brother's.
She's not yours to give.
I need you back here, son.
Not fussing over some damn horse we can't afford
and some girl you don't even know.
That horse was Mom's.
I need you back.
For what?
So we can scrape by?
Hold on a few more years?
And what?
There is nothing here for us anymore.
[soft music]
[horse neighing]
[soft music continues]
[man speaking on the TV]
[tense music]
[television continues]
Jamie is out tonight.
You'll stay with me.
[reporter] Breaking news, this just in.
The sheriff of Watson county has initiated a manhunt for Dominic Chapel.
The suspect is wanted for trafficking
and assault with a deadly weapon.
Suspect is known to go by the alias Paris...
[woman] So this is him.
Was hoping you could show your girls.
The ones you think knew him.
I know.
Wouldn't be asking if I didn't have to.
Some of them, they are doing real well.
Wish you could see them.
You still matter to them.
The ones I never found...
Or don't you think I mattered to them?
Yeah.
Come on, girl.
Hey.
It's alright, girl.
This is a nice place.
They're gonna treat you real good.
[man] Come on, now.
[door opens]
[Kip] My uncle home?
He's up at the house.
[piano music by Chopin playing]
Colt Single Action Army .45 cal.
The gun that won the West.
Used by Custer...
until his demise...
at Little Bighorn.
See, he was warned by one of his Crow scouts
about a massive Native encampment ahead.
But fearing that his enemy would scatter,
Custer... Custer charged on.
When he came over the crest of that ridge,
he and his regiment of six hundred came upon eleven thousand Indians...
just waitin' for him.
-Must have been quite the surprise. -[laughs]
Yes, sir.
Every damn one of them wiped out by these savages.
Only American survivor...
a horse named Comanche.
Ironic. No?
I guess so.
Mmm...
Just got off the phone with your father.
The Injun girl sure got you into some trouble.
Something I can help with?
It's just...
the sheriff...
He said this man takes these girls to the camps.
-And I just thought... -She might be on one of my fields?
Sure, could be.
Her name's Waniya.
And you feel compelled to find her?
It's noble of you.
Most everything you see here... [clears throat]
...belonged to your great-grandfather.
Well, he was obsessed with the West, the men that shaped it.
Discovered a few miles from here.
Mine's abandoned now, but, uh...
I still find reason to go there from time to time,
reflect upon what our ancestors did to get me where I am.
You know, there's a world outside that ranch that your father has you on.
Wanted to be a cowboy since as long as I can remember.
Now...
Yeah...
You can't be bound by Hadley's choices.
And that way of life is dire.
Why'd you help?
Land's always served me well.
I never had a son.
You can always come and work for me.
This country's got everything to offer someone like you.
I will put the word out...
on all of my rigs.
I do hope that we can track her down.
[tense music]
[thud]
[tires screeching]
Deer.
[tension music continues]
Go on.
It was my sister's.
I'm gonna have to leave this place.
Thinking I'd...
take you with me.
[hip-hop music thumping]
[man] Saw they had your picture in the news.
They even used your Christian name.
[man laughs]
Shit.
Not bad, huh?
Jim Bowie?
Because your knife. You know.
-You carry the same... -I get it. I just don't like it.
I had to think of something. [laughs]
Seems a little light.
I didn't just bring cash.
Oh, ho ho.
[Bear] You sure about this, Kip?
Bear, the guy said he hunts in "The Cloud".
-Hey. -Watch where you're going.
[Bear] Your idea.
["Cry Me a River" plays]
♪ Now you say you're lonely ♪
♪ You cried The whole night through ♪
♪ Well, you can cry me a river ♪
♪ Cry me a river ♪
♪ I cried a river over you ♪
♪ And now you say you love me ♪
♪ Well, just to prove you do ♪
♪ Come on and cry me a river ♪
♪ Cry me a river ♪
♪ I cried a river over you ♪
♪ You drove me, nearly drove me Out of my head ♪
♪ While you never shed a tear ♪
♪ Remember, I remember All that you said ♪
♪ Told me love Was too plebeian ♪
♪ Told me you were through With me and ♪
♪ Now you say You're sorry ♪
♪ For being so untrue ♪
♪ Well, you can cry me a river ♪
♪ Cry me a river ♪
♪ Cry me a river Cry me a river... ♪
[Kip] That's a nice necklace you got.
Does it look like I'm working?
That's not what I'm asking for.
Here you go, hon.
Where did you get it, the necklace?
Fucking hell. Would you just... [laughs]
Jesus, someone sure shit-kicked you. [laughs]
Why you drive that old Volvo, I'll never guess.
It's a safety thing.
[Kip] You know what it is?
Just like the way it looked.
Waniya did, too.
Where is she?
[man] Oh, baby.
We're gonna have a good time.
What's wrong? Never got what you paid for?
[man] Oh, don't worry, I'll be gentle.
I know how special you are to him.
[bartender] Pretty.
Seems like you're always running after some new young thing.
I just can't seem to keep 'em tied down.
You're never gonna find her.
You tell me where she is.
You should have left when you had the chance.
Have fun with him.
Hard to imagine why they'd run from you.
Hey, don't you fucking get it?
He gave you to me.
I wouldn't.
You would.
No! Get off of me.
-Come back. -No! Stop it.
Listen, I'm sorry.
[upbeat music]
[Waniya] Fuck you!
[man] Bitch, get back here. Ah!
[screams]
[indistinct shouting]
[man] He gave you to me!
-[indistinct shouting] -[punches landing]
[music continues]
Let's roll.
Come on, man.
Hey.
[indistinct shouts]
Shit.
Damn bitch is out of her fucking mind.
[police siren wailing]
[tense music]
[phone dialing]
[man] 9-1-1, what's your emergency?
-I need help. -Is this Cavalier County?
I don't know. I don't know where I am.
I need to know if it's Cavalier County
so we can route it to the proper dispatch.
Miss, is this Cavalier County?
Stay on the line...
[tense music continues]
[Paris] They say some faces only a mother could love.
Is that true, White?
Said to be lost in the boss' field somewhere.
Heard she was with you.
I see a lot of girls that look like her.
Keep it.
There was a fight.
-And the cops raided the club. -What-- what happened?
Kip, the one Laura was with, he just showed up.
[Jamie cries]
The girls?
They arrested almost everybody.
-I'm sorry. I'm sorry. -No!
[Paris] Tomorrow we go to the shelter.
[tense music]
[Hadley] We'll talk about this tomorrow.
Told me I should leave the ranch.
And go work for him.
Seemed to think we had something in common.
You don't.
It ain't him you take after.
Well, it ain't you.
I know that.
You know, I remember the day Bear showed up here.
He had the face of a young boy,
but tall... even then.
Told me he wanted to work.
Said he didn't have a place to stay,
but I knew he'd just run away from home.
I was gonna tell him no.
But then your mom showed up.
The boy was not my problem.
But your mother, she, uh...
She didn't see it that way at all.
You've got her heart, Kip.
I see her in you every day
and it makes me both sad and happy
in ways I never thought possible.
And I know I can't tell you what to do anymore, Kip.
Maybe it's selfish...
'cause I can't lose you too.
But, son...
I sure wish you'd let this one go.
[slow music]
[horse neighing]
[slow music continues]
Kip.
Remember when we were little...
we used to play cowboys and Indians?
Yeah.
I remember.
You always wanted to be the cowboy.
Why was that?
Cowboys always won.
Got tired of losing, huh?
I guess it doesn't matter now.
Both disappeared just the same.
[Bear] You can't give up.
It's not how she raised you.
You can't hide from who you are.
Besides...
who's to say cowboys and Indians all disappeared?
We're still here, my brother.
[Bear] I asked around back home.
People from Mandaree remember Waniya.
Said her grandfather used to train wild horses.
No one's seen him in a while.
[knocking on door]
[Bear] Hello. Anybody home?
[soft music]
[music box playing "All the Pretty Horses"]
[girl's voice] January 8th. Today I got to help Grandpa with the wild horses.
What you have to do is [indistinct]...
April 3rd. Today [indistinct] took me
on a ride to see the old cutouts.
July 4th... April 14th...
I met a man today after school...
I loved his eyes... He offered to take me to the city...
They're blue and piercing... He gave me his number... He's different.
[woman] I'm sorry to have to ask you this, Fay,
but do you recognize him?
It was two years ago.
He came to my school.
He had gifts.
A car.
Gave me his number.
[slow music]
Thought I was special.
You are special.
You couldn't have known.
I was with him about a year when I...
noticed a couple girls had disappeared.
He'd take one away and...
and they'd never come back.
I began to hear rumors.
-Rumors? -He told them they were going home.
[car door closes]
[suspenseful music]
I'll be right back.
[girl 1] Easy, Jamie.
[Jamie] Move, come on.
[girl 2] Where are we going?
Let's get the fuck in and go.
No. No. No. Stop!
Looky here, girls. Ms. Do-goody left her rifle.
[woman] Where is he?
I tried to warn you.
No way.
Hmm.
[suspenseful music continues]
[clock ticking]
Ain't exactly Rembrandt.
[cuckoo clock ringing]
Well, goddamn it.
I know it's him.
[clears throat]
Okay.
[dial tone]
Let's call this twisted fucker.
-Me? -[sheriff laughs]
I got a radio voice, son. He might spook.
[call ringing through]
[call continues to ring]
[Paris] Yeah?
[clock ticking continues]
-I heard you have girls. -How did you get this number?
One of the guys on the rig.
The eyes.
The wolf's eyes, what color are they?
Blue.
The eyes are blue.
[clock continues ticking loudly]
Thirty-two Reservation Way. [hangs up]
[suspenseful music]
[suspenseful music continues]
We don't leave until every rig pig's paid.
[horse galloping]
-[whip cracking] -[horse neighing]
[horse neighing]
-[whip cracking] -[horse neighing]
-[rock music blaring] -[man coughs]
♪ ...she's waiting ♪
♪ To breathe the scent She hides beneath the shade ♪
[girls laughing and moaning]
♪ The weight on my shoulder ♪
♪ Release so I can Live another day... ♪
What the fuck you lookin' at?
[loud metal music playing]
Hey, hey, hey. Take it easy.
Where's the sixty, huh?
[tense music]
[man and woman moaning]
[indistinct chatter over radio]
Watch the exits.
Cops!
[distant screaming] Cops! Cops!
Everybody get yourselves on the fucking ground!
[indistinct screams]
-Where's Jamie? -I don't know.
[woman struggling]
[woman cries out]
-Back up. -[sheriff] Drop the knife, Paris.
Drop it.
-You alright? -[crying]
[tense music continues]
Shit.
Freeze!
Motherfucker!
[Paris yells, grunts]
Fuck.
[tense music continues]
[choking]
-[spray hisses] -[Paris shouts]
You're under arrest.
Move.
Fuck you.
I said move.
[metal scraping]
[heartbeat pounding]
[tense music continues]
[approaching police sirens wailing]
[engine starting]
Paris! Paris!
Stop right there!
-[Waniya] You're bleeding. -Be quiet.
Where are we going?
Home.
-Paris, where are you taking me? -Shut up!
I said shut up! You shut your fuckin' mouth!
[sirens wailing in the distance]
[classical piano music playing]
[door opens]
-Beckett. -Hadley.
[Hadley] She hasn't changed much.
You could've called.
Never understood this room.
Seems a sadness to it.
Uh... didn't have a chance to ride that mare yet.
-I fully intend-- -It wasn't mine to give.
Mm-hmm.
Drove to Williston.
Found a bank. Agreed to loan me some.
I told you, there's no need to get a bank involved--
I'll take the ranch back.
[sighs] Oh, Hadley.
-I don't think you thought this through. -I really do appreciate
you tryin' to help us.
You really wanna scrape through another winter?
Take on that?
And by all means, have the horse.
But I'm gonna do you a favor by sayin' no.
I ain't askin'.
What the hell is this?
You ain't puttin' a pipeline through my home.
[Beckett] Well...
You made sure I can.
That is my fuckin' land!
Land has no loyalty.
Where'd you go, Beckett?
Huh?
That boy I grew up with...
I don't know where he went.
[soft music]
[sirens wailing]
[indistinct chatter]
-You just don't give up. -[Kip] Where'd he take her?
Please.
He's taking her the only place left to go.
Where is she?
Here.
[indistinct chatter over radio]
[Jamie] Something to remember her by.
[spits]
[tense music]
[knocking]
[door opens]
-[Paris] Let's talk. -[Beckett] Come inside.
[tense music continues]
[door closes]
-What are you doing here? -Shh.
Hang on, it's okay. It's okay. They are chatting.
-Where is Kip? -He's alright.
I just missed him. Come on.
You don't understand. He'll kill you.
-Goddamn it, come on. -He'll kill you, I swear.
It's okay. It's okay, it's okay. We're gonna go. Get you out of here.
-[crying] -Okay, come on.
[panting]
[tense music]
Howdy.
Not yours.
She's not yours either.
[door opens]
Tell me you got an explanation for this.
Alright... we're leavin'.
[Beckett] Afraid...
I can't let you do that.
Beckett.
[Beckett] Don't worry.
I'll take care of Kip.
[mumbling]
Don't you walk away. Beckett!
She's just a girl.
She's just a goddamn girl!
-Beckett! -[door shuts]
[Hadley] Whoa...
There's no need for that.
[crying] Don't do this, please!
Let's just go. I'll come with you.
Just stay there.
I can pay whatever you want.
[crying] Paris, please.
I'll buy her.
You ain't got the pocket.
I can get it.
[dramatic music]
-[crying] -[Paris] Laura.
[thud]
[dramatic music continues]
[Kip] It's her.
Oh, God.
Pop...
what happened to you?
They took her.
-What? -The mine.
-My brother... the mine. -Pop...
You stay with him.
[woman] 9-1-1, what's your emergency?
I need an ambulance to 27 Red Ridge.
My dad's been shot.
-Twenty seven Red Ridge? -Yeah.
EMS will take an hour to arrive.
-What? -I know. I'm very sorry...
[Beckett's voice] Most of what you see...
belonged to your great-grandfather.
Well, he was obsessed with the West.
[men screaming in battle]
[Beckett] Discovered a few miles from here.
Mine's abandoned now, but I still find reason to go there
from time to time...
reflect upon what our ancestors did
to get me where I am.
[tense music]
-Kip. -The ambulance is gonna take too long.
He'll never make it.
You need to take him to the hospital, Bear.
-Kip, what are you doing? -I know where she is.
Pop, Bear's gonna get you out of here, alright?
-Kip... -Okay?
The mine, how do I get there?
[hoarsely] Follow the river... east.
It's four miles.
-Okay. -Son...
Pop...
I love you, Pop.
-You gotta go. -[Bear] Where are you going?
-Kip. Kip. Wait. -Get him out of here!
[dramatic music]
[horse neighing]
-[horse neighing] -Easy. It's alright.
Shh.
Jesus, look what he did to you.
She's in trouble. Okay?
And I can't get there alone.
[dramatic music]
Stay with me...
We're almost there.
[Kip] Yah!
[Bear speaks in a native language]
[Kip] Yah!
[dramatic music continues]
-[Paris] Laura... Let's go! -[crying]
You want her or no?
[tense music]
Wait. Please. Don't leave me. Please don't leave me.
Don't do this.
[crying]
We were close, you and me.
We were so close.
Come on, let's go.
[car engine starts]
[car drives away]
[An old recording of "Tramp! Tramp! Tramp!" plays indistinctly]
Move.
♪ ...Tramp! Tramp! Tramp! The boys are marching ♪
♪ Cheer up comrades They will come ♪
♪ And beneath the starry flag We shall breathe the air again ♪
♪ Of the free land In our own beloved home ♪
[tense music]
[ghostly sounds of soldiers marching, bugle blowing]
[ghostly men's voices shouting, bugle blowing]
-[ghostly voices continue] -[shouting and whooping]
[thud]
[ghostly women's voices speak in native language]
-[drum pounding] -[shouting and screaming]
-[Waniya cries out] -[music and voices fade]
[water trickling]
[Waniya moans]
[muffled moans]
[desperate muffled cries]
Ah!
After my nephew gave me your picture,
I just couldn't get the image of you out of my mind.
This face.
So when I found out who it was you belonged to...
naturally, I just couldn't believe my own luck.
Look at me. Look at me. Look at me.
[bulb pops, camera shoots]
[Beckett] It's all just like my grandfather left me.
First I couldn't... understand this place.
Secrets.
What I realized ran in my blood...
and my grandfather's...
and Kip's...
little by little...
I've been able to add to his collection.
Here.
See?
Washington called you people "beasts."
Lincoln, I believe, used the term "half-breeds."
Myself,
I was always partial to...
the term Jackson used in his letters to Congress.
[Waniya whimpers]
"Savages."
But I reckon any one of them saw you,
they might be given pause...
before saying such things.
Even just a second.
-Help! Help! -Shh!
[Waniya screams]
[Beckett shouts]
Help her!
[Beckett's voice, echoing] Somebody help her!
[tense music]
[tires screeching]
[chains rattling]
You believe us to be a sickness...
A disease, uninvited, forever
harping on about our possession of stolen lands.
That our dominance equates to greed.
And you have sat here alone, unchecked for over a thousand years.
Tell me...
what do you have to show for it?
[horse neighing]
And here you are.
Still... cowerin' among us.
And you say we're the disease.
This land no longer caters to your survival.
[desperate muffled moaning]
[Beckett grunts loudly]
[tense music]
-Here you can't hide. -[terrified scream]
[Waniya thrashing, kicking]
[heavy thud]
-[gunshot] -[panting]
[Waniya gasping for air]
[gun cocking]
-[grunts] -[moans]
-[cries out] -[Waniya screams with rage]
-You savage bitch. -[muffled scream]
[grunting loudly]
-[zipper unzipping] -[gasping loudly]
[moans with rage]
[woman's voice] Please don't. Please.
[tense music]
[both cry out]
[Beckett cries out in pain]
-You fucking whore. -I'm not your whore!
I'm not your savage.
I'm not your anything.
I have a name!
[grunting, groaning]
We all have names.
[sobbing]
-[Kip] Jesus. -[Waniya sobbing]
-Waniya. -Get away from me!
Stay away! [sobbing]
It's alright... I'm not him.
I'm not here to hurt you. Okay?
I'm just trying to get you out of here.
Come home.
Come on, let's go, alright?
[cries]
Let's get out of this place.
[tense music]
Get down.
[Paris] Laura?
Laura?
This way.
[Kip whispers] Go. Go.
-[gunshot] -[Waniya] Kip!
-Kip! -Waniya, run!
[gunshots]
Keys. Keys.
[gunshots continue]
Ah!
-[empty gun clicking] -Shit.
[Paris] Goddamn it, Laura! I'm gonna kill you!
[tense music continues]
[panting]
[Paris panting]
Come here!
[Waniya sobs]
[Waniya screams in the distance]
-[Paris grunts, slaps] -[Waniya cries out in pain]
I came back for you, Laura.
That's not my name.
[Kip] Paris!
[grunts in pain]
[both men grunt in pain]
Shit.
-[gun clicks] -Fuck.
-So long... -[gunshot]
[heavy thud]
-[Kip grunting] -Kip.
Don't move.
You're gonna be okay.
Easy.
I'm right here.
-Stay with me, Kip. -I'm sorry.
It's okay. It's okay.
[soft music]
[horse neighing]
[Kip] There was once a shadow, nameless,
that came down from the north
wreaking havoc on the tribes it preyed upon.
The devastation, the pain that was suffered
angered many.
And they were hopeless against such evil.
Such hate.
This outraged the Thunder Beings, Wakinyan.
And they came down from the clouds
and fought back against the darkness,
shooting a thunderbolt through its heart.
[dramatic music]
["All the Pretty Horses" plays]
♪ Hush-a-bye Don't you cry ♪
♪ Go to sleep my little baby ♪
♪ When you wake You shall have ♪
♪ All the pretty Little horses ♪
♪ Dapples and grays Pintos and bays ♪
♪ All the pretty Little horses ♪
♪ Way down yonder In the meadow ♪
♪ Poor little baby Cryin' "Mama" ♪
♪ Birds and butterflies Flutter round his eyes ♪
♪ Poor little baby's Cryin' "Mama" ♪
♪ Dapples and grays Pintos and bays ♪
♪ All the pretty Little horses ♪
♪ Hush-a-bye Don't you cry ♪
♪ Go to sleep My little baby ♪
♪ When you wake You shall have ♪
♪ All the pretty Little horses ♪
♪ Dapples and grays Pintos and bays ♪
♪ All the pretty Little horses ♪
♪ Dapples and grays Pintos and bays ♪
♪ All the pretty Little horses ♪